Piryokopi presents “très très très” a show of graphic manipulation With Pich, André Hidalgo, Yorgos Serafeimidis and Joseph Viatte.
Manipulation – Movement – Animation – Mime – Dance – Theatre…. Beautiful.
The stick isolations at 1:22 show such wonderful control and skill and the final movements 1:52 to 2:10 are magic.
Contact : piryokopi.com
vidéo : Eloi Prieur
PEARL winnerfilm/ Pool-festival, Berlin. Top ten in Cinema Perpetuum Mobile Film Festival. Official selection: ANIMA 2013, Argentina, Baixada Animada Brazil, Cut Out Fest, Mexico, Female in Film Industry, Mexico.
A hula hoop floats amidst a stunning location of México city. As it moves, a dancer appears and plays with the hoop. Every movement creates lines, impressive shapes and lights that float in the space as if being drawn to gradually create an impressive sculpture in movement.
# Director: Daniela Villanueva, Mara Soler
# Dancers: Brecken Rivara, Tiana Zoumer
# Camera: Pamela Albarran
# Music: Julian Placencia
# Animation: Daniela Villanueva, Mara Soler, Alejandro Caballero, Marco Garfias, Fernando Sica, Luis Núñez
I am always surprised when other hoopers dont know about Pilolip. His latest video of his isohoop routine is so flowy and isolated and perfect. It currently has less than 200 views, and i think we can fix that 🙂
Silvia Pavone is an amazing hoop dancer. She wrote us to show results of Hoop Isolation Lab:
“This hoop isolation film is the result of a short period of research and development that was supported by the Circus Space and the funding from Lab:Time – experiments in circus. Francesca Martello and I wanted to explore the possibilities of circus, and specifically hoop manipulation, on film. We originally started our R&D together with Lynn Scott and Helen Orford, with the idea that the piece would be made for film and on location. However, when Jackson’s Lane theatre gave Lab:Time winners the opportunity to perform their work in progress in a mixed bill of freshly created performances, we reoriented our focus towards creating a stage performance. I hope that we will be able to keep developing this work further, both for film and the stage. Special thanks to Jon Aaron Green, director and producer and Ben Green, editor of the film!”